Saturday, June 28, 2008

Songs That Might Otherwise Pass You By

(Podcast show notes are in the post before this one)

Jeremy Enigk, "Oh John" (Zshare link--originally from Paste Online, and also found on the audio page of his website)

This song has a placid hush to it, a quiet lushness to it that reminds me of some of Elliot Smith's most fragile songs. There's a passion underneath it that breaks through on occasion, breaking the song's gentle stroll, urging the subject of the song to "remember how [they] used to feel inside". Then just as quickly the urgency is gone, and the singer's voice is like a lullabye again, gliding us along along a still path.

Label Site (The label site doesn't include the album that this is from, 2007's The Missing Link, in the discography)
Myspace


The guy actually in front of the camera is Jeremy Enigk


Eskimoses," John Wayne's Toilet Paper"

Okay, so when I first saw the title "John Wayne's Toilet Paper" I expected some sort of gutter punk thrash noise that escaped from a no-name club on $1 beer night. Instead I got a downright pleasant alt-country song. I am not sure what John Wayne or his hygiene products have to do with it; instead this is a kickin' song about going on the open road, leaving emotional ties behind (because "everything's temporary"), finding trouble in a "brand new state and a brand new town". Moving on is a common theme in country-western songs. Don't wait for the cowboy to come home because he knows no home (except the field and the road). Remember Willie Nelson? He couldn't wait to get back on the road again.

Label Site
Myspace


Eskimoses, from their Myspace

Carter Tanton, "Mass" (live on Kexp)

There's a moodiness to this song, a smokiness reminiscent of Mazzy Star or P.J. Harvey. A dark, somewhat dour (but also sensual) dirge that seems to exist somewhere behind the veil, leaking out to our plane through some really good acoustics. Rolling Stone calls his voice "indie-seraphim", and you know, I couldn't have described it better or more concisely (which is why I quoted them rather than trying to think of something to match it.)

Label Site
Myspace


Photo of Tulsa/Carter Tanton by John Allen
Episode 48, Chef Olaf is Strange and Sounds Like The Fashionista from The Incredibles.

Podcast Page
Direct Link
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Theme Music! Girl In A Coma, "Clumsy Sky"
Website
Myspace

The Very Most, "Sod Off"
Website
Myspace

Bridges and Powerlines, "Uncalibrated"
Website
Myspace
Buy at Pure Tracks

Bryan Scary and the Shredding Tears, "The Zero Light"
Website
Myspace

The New Frontiers, "Passing On" (Zshare link. Thanks to Fanatic Promotion for the song)
Website
Myspace

Fire on Fire, "Hangman"
Label Site (Temporarily down)
Myspace

Malcolm Bauld, "Summer Fears" (From his Myspace)
Website

Citay, "Little Kingdom"
Website
Myspace

Sunday, June 22, 2008

Songs That Might Otherwise Pass You By

**These aren't direct downloads--if you click on the link, it'll take you to a webpage where you can both listen to the song and download it. I posted the songs using Zshare because two of the songs were sent to me directly from the artists, and one of them ("Dance, Dance, Dance") is downloadable through Paste Music, but I wouldn't be able to to link directly to the song--I'd have to link to 100 songs and you'd have to find the song in the list, and that was just too cumbersome**

Lykke Li, "Dance, Dance, Dance" (I got the song from Paste Magazine downloads. I reposted it on Zshare to make it easier to download).

This song actually leaves me a little textless. I'm not sure what to write. I love it because it's just so cool. It's so minimalistic, but there's still so much there. It even has cowbells. The bass is so driving, but in a song as sparse as this, anything persistant sounds urgent. This song even has a frikkin' saxophone (or it might be the keyboard equivalent; it's hard for me to tell). I love the singer's voice. She kind of closes all of her words, like the singer from The Divinyls, but without the overt sexuality. Her voice is so light and so lilting that if it were a feather, I don't think it would ever land. It would just keep floating in the wind, hovering above the song, hovering above everything. Underneath, a deep male voice intones "dance, dance, dance", which just adds to the heavier undercurrent of the song, grounding the song. The addition of the female singers at the end, washing the final moments of the song over with a lovely, light (but not as light as the singer's almost intangible voice) chorus of "dance, dance, dance". If you remember the early 90's TV show Twin Peaks, you may remember Julee Cruise from the soundtrack. She had an incredible song called "Rockin' Back Inside Your Heart" from her CD Floating Into The Night. That song did something that seemed wholeheartedly unlikely until that moment: she made a song that was kind of a gently rocking throwback to the pop songs of the sixties, but she made it ethereal, otherworldly. I haven't heard anything like it since. "Dance, Dance, Dance" kind of makes me think the same way, though. It's very upbeat--it's kind of a rockin' song, but a rockin' song made by like aliens, or faeries, or something.

Website
Myspace


Photo of Lykke Li by Marcus Palmqvist


The Ascetic Junkies, "Windows Sell The House" (The band gave me permission to post the mp3)

Is this a song about real estate? Is this a song about love? I'm not sure--sometimes the two are inextricable. In this case, the song uses the metaphor of being locked indoors, in a basement, in his room, and feeling locked out from his love (or his real estate agent?). He says you learn to live from "cell to cell", forgetting the "life outside the window". After all, he says, the "windows sell the house". The link to the outside is the best part of the house.

The energy is the best part of this song. Full of stomps, handclaps, wildly played guitar and even a touch of piano, this song is a great example of the modern bluegrass music that's been growing all over the country, from the deepest deltas of bluegrass country to the edges of the country, like Portland, Oregan, where The Ascetic Junkies call home. One of the things I love so much about modern independent music is that there are no genre restrictions. You can have a song called "Dracula" and not be goth. You can be from Portland and play bluegrass. It's a cool new world, as far as music is considered.


Sonic Bids site
Myspace


The Ascetic Junkies have solved the problem of always being locked out. They now have no doors or walls.

McClain, "Central Park" (Link expired).

This is the kind of song that makes me actually get out of my chair, go over to the windows and open the blinds. Until I started listening to this song today, I hadn't looked outside to see that it's a beautiful day. Blue skies, a few white clouds...of course, with this being Florida, it's going to be hot outside, but for a little while I can pretend that there's a breeze outside. Who knows--maybe I'll walk down to the river in a little bit and sit and watch the boats go by. Maybe I'll revel in the one day of the week (Sunday) where there aren't dozens of cars streaming by every minute. It's funny how one lovely folk song--reverently whispered vocals, a lightly picked guitar and a soaring violin--can change one's day around so drastically. Prior to listening to this song I was just internally fussing because I'd finished my coffee and dangit I didn't want to spend all day writing this post. Now I want to go outside and exist quietly. Now I want a hammock, or at least a rocking chair.

Website
Myspace


Photo of McClain by Justin Wright

Sunday, June 15, 2008

Songs That Might Otherwise Pass You By

(Podcast show notes are in the post before this one)

Autopilot Is For Lovers, "Pessimist"

Both their website and their Myspace is short on information about the band (aside from the singer's connection to the line "Take My Wife...Please"), but I'm hooked on this song. Mournful, expressive and pleading, the vocals stretch over the song, entertwining with a punchy, commanding accordion that ushers the listener into the tempest. The music and her voice churn like a tornado, sweeping up all in its way, gathering whatever's in it path, merging it all together, until you feel part of the maelstrom yourself. The band reminds me a little of a female-led Devotchka, and since I adore Devotchka, there ain't no wrong there.

Website
Myspace
Buy at Rhapsody


Autopilot Is For Lovers

Computers Vs. Banjos, "Give Up The Ghost"

Ooh! Electronica and traditional American roots music together--that's awesome. In much the same way I think it's possible to have science and spirituality co-exist and compliment each other, I've never understand why some people are either "electronica" people or "acoustic" people. I have an appreciation for a wide array of instruments and methods of playing them. I love hearing musicians mesh instruments together that typically aren't put in the same arrangement. I remember when Madonna's Ray of Light album came out, with its mixture of Indian sounds and electronic beats fused into Madonna's brand of dance music. It was pure genius, and I believe a seminal moment in her career. There is no reason for seemingly disparate styles of music to remain isolated. Some people don't think of electronic music as really being music; to me it's as much a part of that category as any other style, just arrived at using different means than traditionally employed (I couldn't be such a New Wave fan if I didn't think that way). So my instinct is "why not mash them up?" Beau Stapleton, half of the duo, states on his Myspace that he's "been searching for ways to blend the folk textures and songwriting with the more experimental sounds of rock and electronic music." "Give Up The Ghost" features an intense, almost aggressive Americana, amplified through cords and plugs, filtered through the Technology Age. Roots music is leaving the front porch and mixing with the city dwellers.

Website
Myspace


Computers Vs. Banjos (Photo by Laura Crosta)

Butcher The Bar, "Leave This Town"

When I first heard this song, I thought it was pretty, but I didn't think of it much past that. Then a minute or so in, I began to feel the song push me, like a current pushes a drifting, relaxed indie music podcaster/blogger. My mind began to fill in the visuals for the lyrics. The line "I'll leave town tonight, if only Western Civilization feels alright" makes me think of years ago (15 or so) when I would beg my friend Jamie to drive us around at night after work (we worked evenings), just observing the stillness of the city, the darkness of the night (well, if we were far enough away from the city) and not thinking about the next day, or any days. We'd eventually run out of places to go, and he'd start to say "Well, it's getting late" and I'd try to think of places to go we hadn't been that night. I'm not even sure why I didn't want to go home--I lived on my own, so it's not like I had any worries at home--well, except the fact that I had no money to pay rent (working part-time is not the cash-cow it may seem), little money for bills and maybe no money for food. Oh, that's probably why I didn't want to go home. Good times (well, except for the no money part). Still, I remember really wanting to just take off so many times--where, I didn't know. This song reminds me of that feeling, though.

Label Site
Myspace


Someone looks like they've been butchering some late nights :)
Podcast Ep 47 Shownotes: My Cat Is Howling; For What I Don't Know

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Theme Music! Girl In A Coma, "Clumsy Sky"
Website
Myspace

Locust Avenue, "Curtains"
Website
Myspace

Ida, "Road To Ruin"
Website
Myspace

The Weird Weeds, "Red"
Website
Myspace

Antietam, "Time Creeps"
Website
Myspace

Sera Cahoone, "Only As The Day Is Long"
Website
Myspace

Nicole Atkins, "Carouselle"
Website
Myspace

The Boy Bathing, "The Beaches Meet The Sea"
Website
Myspace

Computerization, "1.14me"
Website
Myspace

Sunday, June 08, 2008

Songs That Might Otherwise Pass You By

Jaymay, "Gray or Blue"

This is one of the prettiest sort of-maybe requited love songs I've heard. The xylophone accompaniment to the xylophone lyric is a nice touch and I love the change in the end (the "crazy eyes have u" part). It's wistful, but not wimpy. The emotions are strong: she's lamenting a would-be lover, making her case to him, though he may not even notice through his hooded eyes. She's waiting for him* to make the move, but she warns "I think its very dangerous if we do not take what's ours". She's anxious ("last night I watched you sing because a person has to try"), yet hesitant to destroy whatever they have ("are you too nervous to be lovers--friendships ruined with just one kiss"). There's no clear path for the lyrics, no clear ending to her predicament...much like that type of situation is in life.

*I usually don't assume gender, but she talks about "another boy", so I'm assuming the subject of the song is male.

Website
Myspace
"Gray or Blue" lyrics


Jaymay says "I asked you a question! Gray or Blue? Or red? I like red, too."


In Flight Radio, "Red Flags" (Thanks to Filter Magazine for introducing me to the band)

The reviews I've read of In Flight Radio mostly focus on Piera's soaring vocals; they're right to praise her range and versatility; however, the music and the vocals work together to form an accomplished, solid composition. The guitar soars for most of the song, appropriately matching the building tension of the song, but the guitarist knows when to sparcely dole out the notes, complimenting the singer's voice when the vocals soften. The bass supports the song well and the drums add a layer to the already nuanced song. It's appropriate that the name of their label is "Last Broadcast": I'm really reminded of the full sound of the band Doves. Both bands feature clear, strong vocals and instruments that reach beyond any structure attempting to hold them, breaching the surrounding space.

Website
Myspace


In Flight Radio look down on inferior radio choices.

We Were Promised Jetpacks, "Quiet Little Voices"

I remember the pain of being promised jetpacks, and the promise not being fulfilled. Fifth grade. Our science books had pictures of technology of the future. Of course when I was ten years old, I wondered how the textbook writers were able to get pictures of items from the future, but it didn't occur to me that they just made them up. This was science class, after all. Nothing is made up in science class. So, I waited for the gray, bulky jetpack with the rocket fire coming out the posterior. It never showed up. I lost some of my faith in the world that year, and especially my faith in science text book writers. Oh, I was supposed to get a one-person egg-shaped car, too, but now I realize that wouldn 't be energy efficient (no way to carpool) so my disappointment over that has abated. Also I don't drive so it's moot. I could certainly use a jetpack though.

This all has nothing to do with the song, of course. The name of the band is "We Were Promised Jetpacks" (one of the greatest band names ever), but the name of the song is "Quiet Little Voices". The song isn't quiet; it's actually hits the senses hard. It has the drive and the intensity of The Walkmen and Interpol--loud and intense with guitars that will tear the paint off. Yes, We Were Promised Jetpacks has declared ownership of your eardrums. Hopefully with them in charge we'll finally get our jetpacks.

Myspace
(No website listed)


Anxiously awaiting their jetpacks...they look so listless, so lost without them...

Monday, June 02, 2008

Songs That Might Otherwise Pass You By

Chairlift, "Evident Utensil" (Live from The Lounge, Woxy)

Chairlift's Myspace says they're from Brooklyn, but Carolyn, the lead singer, sings with a slight lilt reminiscent of Bjork (but less space odyssey-ish and more space kittenish) and the only partly-realized word formations of the German singer Nico--like she's singing more with her breath than her voice. She utilizes her voice full-force, though, when she's yelping, whooping and trilling. As if acting out the lyrics, her voice "crawls up the walls" and "rolls in the dirt"; her voice rips through the song in fully appropriate rock star fashion. Speaking of rock star fashion, she's wears some awesome rock star glasses. Musically, I love the hushed keyboard and guitar intro--it's the kind of intro that needs to be the first thing the fans hear at a show--you know, that moment when the audience isn't sure if the band is coming on stage yet, and they hear a few familiar notes and the dawning of realization hits them. The song is largely built on new wave keyboards that bring me back to the days of early Depeche Mode (Just Can't Get Enough? Dreaming of Me?) and there's a really cool background vocal--a male voice echoing the lyrics in a very sexy, somber German New Wave sounding way (Rock Me Amadeus). The lesson to be taken away from this, of course, is that I love songs that remind me of early 80's New Wave.

Website
Myspace


How come only one band member gets to wear leopart print pants? More leopard print pants!

Martin Royle & Pash, "If Time Ran Backwards" (Live from The Lounge, Woxy)

Apparently weird things happen when one watches The Sopranos backwards by oneself. Luckily I stopped watching that show years ago, so I never had the experience of "people recomposing" and "actors disremember[ing] their lines of backward verse". I appreciate his observation that "youth is wasted on the young"; in this song, since time is running backwards, youth is not wasted, but is enjoyed by those towards the latter part of their lives, and since time is running backwards, the latter part of a life is towards the beginning. Yeah, I'm confused, too. It's like Mork's son on Mork and Mindy--he was born older and became younger. I just dated myself. I'm not old--according to this song I'm sailing towards my youth.

Martin Royle's Website
Martin Royle's Myspace
Pash's Myspace
Pash's Website


Martin Royle and Pash, courtesy of Woxy

Sigur Ros, "Gobbledigook"

I don't think any song since 1999's "Vindrar Vel Til Laftarasa" can have the same effect on me--I remember I called them "Heaven born" when I first heard that song (I also thought His Name is Alive might actually be from another planet when I first heard them--I have an active imagination). "Gobbledigook" doesn't send me to another plane of existence like that early song did, but this song does keep the unique eclectism of their previous work while expanding to include heavier sounds like thundering, clapping drums, forceful, rushed backing vocals, and a staccato guitar, all culminating in a very chaotic, scattered, hyper-active mash-up of instruments. I never thought I'd say that a Sigur Ros song has a jungle sound, but here it is. It's like the boys went on the commune, and after several hits of something, came out with a new musical direction. It's not an unfavorable change, but it is different from the styles we've previously heard from them.

Website
Myspace
Other Sigur Ros mp3s


The gigantic members of Sigur Ros look at the tiny, tiny island of Iceland. (Or, that may actually be a moss-covered rock, and they may be average-sized).

Sunday, June 01, 2008

PODCAST SHOWNOTES

Announcements:

Oops. I meant to write my blog post today, but then I went to see my mom, and I did her grocery shopping and then I spent way too much time in Target and Wal-Mart looking for closet organizers. In my defense, I had to stay in Target longer than I'd anticipated because of a gigantic hail storm that hit right as I was going in. Then I did my own grocery shopping, and now it's 9:52 P.M., I'm exhausted, I have to go to work tomorrow and I'm half-watching Star Trek: First Contact. Because of all of this (all totally outside of my control--HONEST! Okay, well the hail storm was outside of my control) I'm going to do the blog post tomorrow evening. It'll be a day late. I'm sorry--My planning has been all out of wack this weekend.

**I was supposed to include two songs: Locust Avenue's "Curtain" and The Boy Bathing, "The Beaches Meets the Sea", but in my mass confusion I forgot. I'll include them in the next podcast)**

**Despite the name of this podcast, the audio is not messed up. It just sounded messed up when I played it back before I published it**

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Theme Music! Girl In A Coma, "Clumsy Sky"

Website
Myspace

Screaming Females, "Fun" (Downloadable from their Myspace)

Website

Noun, "Snakes" (Downloadable from their Myspace)

Same website as Screaming Females

We Were The States, "Up Your Sleeve"

Website
Myspace

Firewater, "Electric City"

Website
Myspace

Clair, "Billy and the Dial Tone"

Myspace
Pre-Order at The Cougar Label Store
(No website listed)

The Acorn, "The Flood Part One"

Website
Myspace

Pirate Prude, "Mister"

Website
Myspace

Phosphorescent, "I Am A Full Grown Man (I Will Lay In The Grass)" (Not a direct link)

Label Site
Myspace